Archive for the 'watercolor paintings' Category

Changing Seasons

Sharon July 7th, 2009

Several years ago I was invited to visit a large historic house on the river. The owner, a delightful lady, shared her knowledge of the house which was built in the 18th century and which her family had painstakingly restored.

My grandfather was an architect in Washington DC and I’ve always been interested in buildings so I was pleased to be asked to do a painting of the interesting house in it’s beautiful setting.

Unfortunately it was a blustery February day when I visited the house and took reference photographs from every angle, including one from the end of the pier that jutted into the river. It was very cold and very windy out there!

I had every intention of getting to that house portrait as soon as it fit my workshop schedule. Unfortunately within days of taking those photographs I was quite ill with pneumonia. The house project was set aside and it seemed that I even shivered to think of it, remembering the cold.

Recently I was invited to a gathering at that house and it was a pleasant day with interesting people and another tour of the fascinating building. This time I came home and started sketching.

The completed painting shows the river front side of the home as seen from the end of that pier. The original photographs, taken in winter, showed more of the house behind leafless trees. My second set of photographs, taken in spring, were more colorful but somehow seemed to show less of the house in it’s distinctive landscape. I decided to paint a late winter scene with frost at sunrise.

This is painted in watercolor on 300 lb Arches watercolor paper, chosen for better control over the sunset sky. Some windows and doors are detailed with a little white fluid acrylic which I like better than Chinese white watercolor. The painting is 15×22″ and probably will be titled ‘Sunrise Frost: Almodington’.

Watermedia Progress

Sharon August 14th, 2008

#2072

I am finding that combining both traditional transparent watercolor and the new fluid acrylics is working out well for me. I can still do the soft backgrounds I prefer and yet get a depth of detail I’ve been looking for in the foregrounds.

Here is the painting I recently completed of a goldfinch and wildflowers. The background and most of the painting has watercolor as its basis but details and intensity is accomplished with the fluid acrylics. I still use the masking techniques I’ve always used and even masked over the acrylic sections when necessary. It is no shorter in steps or time, but when the painting tells the artist what to do next, it is easier to accomplish when not limited by the materials.